(o i 1') [...] ... in a gold našappu-bowl [...]

(o i 2') [...] he passes [...] to Ellil and as many gods as are in the main courtyard.

(o i 3') He passes a gold [...] from Antu to in front of the goddesses that are in the courtyard.

(o i 4') He passes a gold [...] from Ištar to in front of as many gods as are in the Ubšukkinakku.

(o i 5') [...], Ea, Adad, Sin, Šamaš, all of the gods, the divine emblems, the sun-disks, and the chariots rise from their seats in the processional boat, which was a gift from the king, and descend to the main courtyard and take up positions towards Anu.

(o i 7') Ellil enters and sits on the Kiagazida-dais to the right of Anu. Ea enters and sits on the Kiagakuga-dais to the left of Anu.

(o i 9') Sin, Šulpae, Ninurta, Justice, Nusku, Inanalal and Ningublaga stand on the right of the cella gate, at Adad's side.

(o i 11') Šamaš, Bunene, Giru, Zababa, Nergal, Lugalira, Il-Amurru, Kusu and Usmu stand on the left of the cella gate, at Adad's side.

(o i 13') The king goes to Antu's cella and prostrates himself.

(o i 14') Belet-ili, Šala, Marat-Anu, Aya, Gula, Ninešgal, Amasagnudu, Sadarnuna, Ašrat and Šarrat-šame rise from their seats in the processional boat, which was a gift from the king, and take up positions towards Antu.

(o i 17') The king pours a libation from a gold maqqû-vessel and takes Antu's hand, together with the incantation priests, the lamentation priests, the musicians, the linen curtain, and the gold maqqû-vessel, and

(o i 20') Antu goes and sits on a gold seat on her (lit. 'his') socle in the main courtyard, facing east.

(o i 21') All of the goddesses stand opposite Antu.

(o i 22') The incantation priests, lamentation priests and musicians stop in front of her (lit. 'him').

(o i 23') The king and the temple-enterers go to Irigal (gloss: Irigal) and a temple-enterer lifts hand(-washing) water to Ištar and the king takes the processional boat, which was a gift, in front of Ištar, and

(o i 25') he takes Ištar's hand and Anu's seat in Ištar's cella, with the incantation priests, lamentation priests, musicians, the linen curtain and the gold maqqû-vessel and

(o i 27) Nanaya, Ninsiana, Ninigizibara, Išartu, Ninmeurur, Abetura, Šagepada, Marat-Uruk, Marat-Eana, Ninsun and Šarrat-parakki take up position [...] and Ištar descends to the main court and sits on her socle.

(o ii 1') Sin, [Šulpae, ...] next to Adad. Lugalira, Il-Amurru, [...] stand next to Ea.

(o ii 3') Belet-ili, Šala, [Marat-Anu, ...], Gula, Baba, Ninešgal, Amasagnudu, [...], Ašrat and Šarrat-šame stand behind Antu.

(o ii 6') [...], Ninigizibara, Išartu, Ninmeurur, [...] and Šagepada, Marat-Uruk, [...] and Šarrat-parakki go and [...]. [...] goes and stands to the right of Nanaya.

(o ii 10') [...], Lugalbanda, the Seven, Palil, Meslamtaea, [...], Hendursag and Šubula [...] will be placed and stand in front of her (lit. 'him').

(o ii 13') Uṣur-amassu, [...], Ninurbu, Ninimma, Šilamkura, [...] stand behind Ninsiana.

(o ii 15') [...] stand [...] of the gate of the Ešmah shrine. [...] the opening (in the wall) of the Ešmah shrine in front of him [...].

(o ii 18') are tied. The prebendary butcher [...] are stopped. To [...]

(o ii 20') of the vessel [...] gate [...] ... [...]

(r i 1) After that, 2 ... [...].

(r i 2) After that, 4 ... [...].

(r i 3) After that, 2 prebendary cooks [...].

(r i 4) After that, the Chariot star's chariot [...].

(r i 5) After that, Ninurta's chariot, [...]'s chariot, [...].

(r i 6) After that, Šamaš's chariot, and [...]'s chariot [...]

(r i 7) These are (lit. 'this is') the chariots, personnel [...]

(r i 8) the gold quivers of Anu and Antu [...] go, together with Anu's chariot.

(r i 9) After that, [...] and Lugalbanda; after that, the Seven, Palil [...] and Šubula.

(r i 11) After that, Lugalira, Meslamtaea, [...], Inanalal and Ningublaga, the Twins, the [...] Twins ... [...].

(r i 13) After that, Ninurta, Bunene, and Zababa; after that Šamaš and Adad [(...)].

(r i 14) After that, Papsukkal, Nusku, Giru, the musicians and lamentation priests.

(r i 15) After that, the high priest, Il-Amurru, Kusu, Sirsir and the incantation priests. To the right and left of the incantation priests, 2 prebendary cooks fetch a footstool decorated with lapis lazuli.

(r i 16) They bring out cedar in a huluppaqqu-brazier in front of him. He lifts hand(-washing) water to Anu and Antu. He sprinkles the king and the people.

(r i 18) Papsukkal, Nusku and Usmu take up position towards Anu and he libates from a gold maqqû-vessel in front of Anu;

(r i 20) and Papsukkal, Nusku, Usmu and the king take Anu's hand (and lead him) from the Dais of Destinies and Ellil goes on his right and Ea on his left and the two (or, twice) to ....1

(r i 22) After that, Antu, [Ištar] and Nanaya; after that, Ninsiana, Šala and [...].

(r i 24) After that, Aya, Gula, Baba and Ninešgal [(...)].

(r i 25) After that, Amasagnudu, Sadarnuna, Ašrat and [...].

(r i 26) After that, Ninigizibara, Ninmeurur, [...].

(r ii 1) [...] As soon as they have raised Anu to the top of the causeway of [...], all of the gods take up position in front of him.

(r ii 3) [...] ... the qarû-stand is set out and [...] the king [...] a gold maqqu-vessel in front of Anu.

(r ii 5) Papsukkal and the king take up position towards Anu and take Anu's [...] and he enters the courtyard of akītu-temple and sits on the great dais in the akītu-temple courtyard, facing east.

(r ii 8) Ellil and Ea enter and sit to the right and to the left. Antu, Ištar and Nanaya sit on their seats behind Anu. Adad sits next to Ellil, to the right of Anu. All of the gods enter and stand in front of him in the akītu-temple courtyard.

(r ii 11) He lifts hand(-washing) water to Anu and sprinkles the king and the people. The king libates from a gold maqqû-vessel to Anu and Antu, and Papsukkal and the king take Anu's hand (and lead him) from the great dais and he enters his cella and sits down.

(r ii 14) After that, Ellil and Ea enter and sit down on the right and on the left. Anu enters and sits on her (lit. 'his') seat. Šala and Marat-Anu sit to the right and to the left of Anu. Ištar enters and sits on her (lit. 'his') seat.

(r ii 17) Nanaya and Ninsiana sit to the right and to the left of Ištar.

(r ii 18) Adad enters and sits next to Ellil to the right of Anu.

(r ii 19) Šamaš enters and sits next to Ea to the left of Anu.

(r ii 20) Papsukkal stands next to the projection (in the wall next to) the cella gate. They raise Anu's gold carrying-pole.

(r ii 21) They ditto (raise) those of Ellil, Ea, Antu, Ištar, Adad and Šamaš and as soon as the carrying poles have gone, Papsukkal goes and sits on his seat.

(r ii 23) The lamentation priest stands at the side and offers the šuʾillakku-hymn 'Great Anu'.

(r ii 24) [...] go and sit on their seats in the courtyard. Išum goes and sits next to the king on the right. Messagunug goes and sits next to Anu on the left.

(r ii 27) [...] ... Anu ... in front of them.

(r ii 28) [...] he has sat .... A gold ...